The song of the birds for mirth—
One is nearer God’s heart in a garden
Than anywhere else on earth.
The vegetable and flower gardens over which my maternal grandparents, James and Mary Bohaty, presided were marked by a metal plaque bearing those words. There is nothing unusual about that. Very similar plaques are in gardens everywhere. This one graced my mother’s garden after Grandma’s death, and now it is at the edge of our poor excuse for one. I know one of our daughters will get it after we are gone. They are both gardeners.
The Bohatys national origin was Bohemian. Grandpa was born in this country of immigrant parents. Grandma (Mary Fajrajzl, but soon, Frazel) came here as a child with her family in 1901 from a small, rural village southwest of Prague. Gardening was in the Bohaty and the Frazel blood, and Jim and Mary gardened until they could do it no longer, both living into their 90s.
Significantly, they practiced organic gardening decades before most people had ever heard of it. Grandma did not believe in eating anything whose ingredients she could not identify—“chemicals,” she called them. Sometime in the 1950s they traded in their Mercury for a Nash Rambler, something my family found amusing, if not foolish. The Bohatys found great satisfaction in economy and simplicity.
In my youngest memories, they were not church goers. My mother always said they did not go to church because Catholicism was impressed upon them by the Hapsburg Empire, of which the Bohemian/Czech lands were a part. They came to America to escape oppression, religious and political.
Our family, on the other hand, were regulars in worship and at all other activities in the our local Presbyterian Church. We were Presbyterians because, somewhat ironically, my grandparents sent all three of their children to Sunday School at the Riverside, Illinois, Presbyterian Church. They themselves did not go to church, but apparently they felt their children could benefit from the moral education provided by a church—as long as it was not Catholic.
When I was young, I did not fully understand or accept people not going to church. It was hard for me to believe there were people who were not church-goers. I was not so concerned about the eternal fate of their souls as I was mystified by where they found direction and friendships in this life.
And so when I was old enough to read and understand the lines about God’s heart posted in the Bohaty garden, I wondered: How can my grandparents know anything about “God’s heart” if they never go to church? Why wasn’t a garden just a garden to them?
Of course, my mistake was in thinking God was only found in church and through church. It took me longer than it probably should have to fully appreciate the diversity of locales and situations in which people experience God.
I also did not know about the spiritual/mystical relationship between human beings and the natural world expressed artistically in late 19th and early 20th century Romanticism’s embrace of nature. In my twenties I began to understand how European composers, writers, poets, painters, and the like often found their inspiration in nature, and celebrated—almost worshipped it—in their works.
My hunch now is that the less-obviously creative masses of the population had the same feelings about nature, even if they did not leave records of it for our enjoyment.
Unless you take seriously the seasonal art that is gardening. Maybe in tilling and tending the earth to produce delicious food and gorgeous flowers they expressed themselves as surely as did the much better known artists.
Perhaps that is why, in their garden, my grandparents felt themselves to be near God’s heart.
Although these four lines remind me especially of both of my maternal grandparents, it calls to mind my grandmother in particular. Hers was a quiet, non-confrontational, calming sort of presence. “Long-suffering” is too strong a descriptor. Perhaps “receptive” is better for a woman who took things in and accepted them in her own way, a way that I have never fully understood. Perhaps like her namesake who was Jesus’s mother, she was able to “let it be” when it was best to do so. She wasn’t a pushover; she worked hard, served her family well, and even pushed back when Grandpa Bohaty got too paternalistic. But I can feel her accepting the sun’s kiss as pardon enough, and birds’ songs as mirth enough for her life. For her, her garden was church; and God’s heart was found there more than anywhere else on earth.
Sometime during my late childhood, the Bohatys began to attend a Unitarian church, which seemed almost as mysterious to me as attending no church at all. Very late in their lives, when they moved to the town my parents lived in, they became Presbyterians, though I have no idea how they understood that move beyond just being in church with my parents. And my mother noted that near the end of her life, Grandma started crossing herself when they said grace around the table. Somehow, through gardens, and by way of unitarian and trinitarian Protestant churches, she came back to where she’d started.
A couple of weeks ago I saw this same sign in a neighbor’s yard. That set me to wondering about the origin of the verse. It is the 4th stanza of a 5-stanza poem entitled God’s Garden by Englishwoman Dorothy Frances Gurney, whose other claim upon posterity is the wedding hymn, O Perfect Love. I will not share God’s Garden here. It is easily found on the web.
I will report that it is a religious poem which begins in the Garden of Eden and ends in the Garden of Gethsemane, where, it asserts, Jesus broke His heart for us.
Jesus broke for us the heart that is pardon, the heart that is mirth. The heart that is God’s, for others, like Grandma Bohaty’s.
Did she know the entire poem? I will never know, but I can imagine stanza 4 resonating inside of her, and I feel her with me when I feel the kiss of the sun and hear the songs of the birds, always near God’s heart.